This lively and playful adaptation of Donizetti’s opera is perfect viewing for those new to opera.
With the feel of a classic television comedy (the tone set with thanks Matt Powell’s video designs at the start of the performance), Harry Fehr’s fun take on Donizetti’s opera buffa (or romantic comedy) is a joy to watch unfold from start to finish.
Set during World War II at an English country estate, the story follows that of Nemorino who is pining for Adina who seemingly is not interested in any relationship – not even with one with the egotistical Belcore who wishes to marry her. As she tries to sort through her feelings for both men, the arrival Dulcamara (a travelling salesman) causes chaos as he convinces Nemorino that the best way to get Adina to fall in love with him is to purchase a love potion. Of course things get out of hand in a joyful way as things reach a head happily.
Thanks to Zahra Mansouri’s gorgeously authentic costume designs and Matt Powell’s colourful video designs, audiences are automatically swept into the 1940’s era – but I did find the indoors setting a little confining particularly during the first act. If the situation feels a little over the top in this scenario, it is counterbalanced by the sheer energy that drives the story forward beautifully – particularly as Adina begins to realise her feelings for Nemorino.
There is much to be admired musically as well – with the choral singing proving to be particularly stunning throughout, leaving quite an impression particularly during the second act when Nemorino is getting a lot more attention.
But there are also plenty of performances on an individual basis to enjoy as well. Rhian Lois as the somewhat strong willed and flirtatious Adina makes a strong impression from start to finish, highlighting her conflicting emotions perfectly adding a brilliant changes in tone that keep the audiences invested in her performance.
Elsewhere, there is a charm and sweetness to the performance of Thomas Atkins as Nemorino which is equally charming as it is heartbreaking to witness in places that captures the character’s vulnerability but equally the determination and hope that Adina will change her mind. It is powerful but understated.
There is much to be enjoyed from Dan D’Souza’s characterisation of Belcore, also vying for Adina’s attention – filled with swagger and confidence, it is a performance that really enhances the humour of what unfolds.
The only problem that I had at the performance that i attended was sometimes it was slightly difficult to hear exactly what was being sung, so there were times when I had to rely on the surtitles – so a little more clarity would have been welcome.
But throughout the orchestra were on fantastic form, thanks to Teresa Riveiro Bohm’s lively conducting that ensures the story is given an uplifting pace to it to sweep audiences completely into The Elixir of Love.
It is a wonderful production that overall that will ensure that you leave with a smile on your face. If you have never been to the opera before, this is an extremely good place to start.
By Emma Clarendon
The Elixir of Love continues to be performed at the London Coliseum until the 5th December.
Rating: ⭐⭐⭐⭐