Shahid Iqbal Khan’s play is a moving and deeply profound journey of self-discovery in the wake of tragedy.
Questions of faith, friendship and responsibility lie at the heart of this well rounded, funny and detailed play from Shahid Iqbal Khan, which might on occasion sway into focus more on the religion rather than the character and story being told but the intentions are good.
This one man show evolves around the life experiences of Yasser, who takes part in his first itikaf ( which involves sleeping and fasting in the mosque for the last ten nights of Ramadan) not only in the hope to prove those who don’t believe he takes his relationship with Islam seriously but also for his friend. As the story unfolds, we learn more about Yasser’s past and how it has impacted on his life as he reflects during these 10 nights.
There is much to be admired about Khan’s play, which unfolds beautifully at just the right pace, features a range of characters, strong characters and a story that when the twist hits packs a powerful punch. 10 Nights is educational but never preachy (despite perhaps some moments lingering slightly too long on some of the religious aspects) and it is powerful in the way it captures Yasser’s changing attitude to Islam, which in turn changes his attitude towards those around him. It has a fantastic character arc at the centre of it.
While it has serious and thoughtful undertones, there is still a sense of humour to the script it that lifts the story – particularly in Yaseer’s interactions with his father or the way in which he describes those around him.
There is a lovely thoughtfulness and sensitivity to the way in which Samir Bhamra has directed 10 Nights that really reflects the story well: simple and effective – which combined with Rajiv Pattani’s colourful lighting design ensures that the audience is thoroughly absorbed and focused on the story that is unfolding.
Performing in English while incorporating both Urdu and Arabic, Adeel Ali as Yaseer (and a variety of characters) delivers a detailed performance that really engages the audience’s attention from start to finish, capturing the character’s journey of self discovery perfectly. However, it does have to be said that there are some inconsistencies in terms of the English transcribed lines screened on the back of the set to what is being spoken that suggest a hint of nerves (which I’m sure will straighten out as the run continues). But it is nevertheless a lively and well thought out performance.
While perhaps some scenes could be tightened up a little bit, there is no doubting that this is a fascinating piece of theatre to explore people’s changing relationship with religion and owning up to the consequences of their own actions.
By Emma Clarendon
10 Nights continues to run at the Riverside Studios until the 26th January.
Rating: ❤️❤️❤️❤️