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NEWS: Comedy ‘Jobsworth’ to Transfer to London’s Park Theatre

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It has been announced that Libby Rodliffe and Isley Lynn’s dark comedy will run at London’s Park Theatre from the 19th November until the 6th December.

Co-written with award-winning playwright Isley Lynn, Jobsworth is inspired by actor and writer Libby Rodliffe’s unbelievable real-life experiences working multiple jobs. It is a show about London in the cost of living crisis and the battle to make ends meet.

Bea’s secretly working three full-time jobs. All at the same time. And she’s still financially f*cked.

Between looking after luxury flats to dogsitting the world’s ugliest pooch, she’s neck-deep in employers and it’s only a matter of time until someone finds out she’s breaking all her contracts.

Armed with nothing but her smarmiest boss’ dirty secret, can Bea get herself out of the red and into the black (and into the fit intern’s bed)? Or will the plates she’s been spinning come crashing down around her and her dysfunctional family?

Performed by Libby Rodliffe (Skin a Cat, UK Tour; Who Are We Now?,Southwark Playhouse; Trapped, Cockpit Theatre), the creative team behind the production includes: Director Nicky Allpress (The Shape of Things, Park Theatre; The Walworth Farce, New Southwark Playhouse, Elephant & Castle; My Brilliant Friend, National Theatre), Sound Designer Matteo Depares (The Chaos That Has Been and Will No Doubt Return, Southwark Playhouse; Sisyphean Quick Fix, Riverside Studios; Il-Każin tal-Imqarbin, Valetta Campus), Set Designer Matthew Cassar (Into The Woods, Manoel Theatre; Catastrophe Bay, Bristol Old Vic Main Stage; Sisyphean Quick Fix, Riverside Studios), and Lighting Designer Han Sayles (The Glorious French Revolution, YESYESNONO/New Diorama; Disco Inferno, National Youth Theatre; Goblin, Soho Theatre).

Talking about the play, performer Libby Rodliffe comments: “Jobsworth is an amalgamation of lived experiences and wild stories, and it’s very personal and something I care about greatly. I want to say that writing it has been a labour of love, because that feels romantic and whimsical, but it’s never actually felt like labour, which is a pretty cool and infrequent luxury.”

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