It is a glorious welcome to the new cast of the West End production, delving even deeper into the story and characters.
It is clear watching the new cast bringing the characters of Hadestown to life that this is a show that still continues to bring joy to everyone whether on or off the stage.
But what is also interesting is seeing how each new cast brings something different and it feels as though it really leans more into the New Orleans atmosphere both through the musical performances and the cast interpretations of the electrifying songs.
Bringing together the stories and relationships of Persephone and Hades and Eurydice and Orpheus, Hadestown is a wonderfully engaging story that is told through entirely via music. Through her songs and lyrics Anais Mitchell has created a very soulful and emotionally driven interpretation – whether it is the very blues infused ‘Road To Hell’ that sets the scene perfectly or the poignant ‘Wait For Me’ everything seems to work in perfect harmony.
This is well matched by Rachel Hauk’s gorgeously sleek set design that ensures the important aspects of the story are within sight – for example having the musicians on stage and surrounding the cast as well as the trap door in which takes the cast down to Hadestown. Everything about this production runs extremely smoothly – perhaps not surprising given how long it has been in the West End now but it is also a testament to how the show is structured and of course the people who bring the show to life at every performance.
But this new cast are are really so vibrant and offer surprising takes on the characters that provide a refreshing perspective on each of them. At the centre of it all is Bethany Antonia as Eurydice and Marley Fenton as Orpheus. Antonia shows a wonderful grit and skill in capturing the character’s vulnerability and desperation to survive in anyway possible. Meanwhile, Fenton adds a sweetness and tenderness through his vocals which glide over the score effortlessly. Together, their chemistry is endearing and a perfect fit for the character’s story as it unfolds – enhancing the tragedy perfectly.
Meanwhile, Rachel Adedeji as Persephone offers a commanding performance that has many different layers to it and her rendition of ‘Our Lady of the Underground’ feels particularly fierce and impassioned. It is a real standout moment. Alastair Parker as Hades is wonderfully dark and rich making him compelling to watch particularly during ‘Why We Build the Wall’ in which he showcases particular menace. Together, they offer an enthralling partnership that is fascinating to witness.
Clive Rowe in particular puts a unique spin on the character of Hermes, providing a wonderful energy and emphasis on certain lines that draws the audience in and make them pay attention. Meanwhile, his vocals are rich and helps to carry the story forward with ease.
Watching Hadestown once again, it shows that a musical can continue to evolve and grow depending on its cast no matter how long it has been in the West End. Hadestown still manages to captivate and enthral in equal measures. Musical theatre perfection.
Rating: ❤️❤️❤️❤️❤️