We take a look at some of our favourite film scores composed by Alan Silvestri.
Back to the Future:
It is really hard to resist the sense of adventure, joy and playfulness that really encapsulates every aspect of this classic film. There is such a lovely energy to it and of course from the very opening notes you can tell exactly what film it is from. I can only imagine what it is like hearing it live!
The Mummy Returns:
Blending the world of ancient Egypt with a sense of adventure and excitement that the film requires. This is a film score that thrills and delights with its numerous layers and twists along the way that matches every aspect of the plot. There is a sense of drama and theatricality to it that is hard to resist.
Forrest Gump:
As a film, Forrest Gump as many different layers to it, which requires a score to match the many different emotional aspects of the central character’s story. Alan Silvestri manages this by creating a score that comes across as a character in its own right. There is sensitivity, power and everything else in between that has a delicate touch to it that makes it endearing to listen to.
Night at the Museum:
This family favourite film has a wonderfully playful score to match, with it possible to pin point every moment in the film with a piece of the score. It is joyful to listen to from start to finish. The rise and fall is beautifully placed, building to a wonderful climax that delights.
Father of the Bride:
There is a lovely tenderness, warmth and endearing nature to this score that perfectly encapsulates the sense of family, father and daughter relationships and moving forward in life which lies right at the centre of the film. It is is equally wistful and filled with longing that makes it an utterly charming score to listen to.
Who Framed Roger Rabbit?
It is hard to resist the blend of 1940’s jazz, big band swing and a slight cartoonish aspect that works perfectly for this delightful film noir and comedy that has plenty of joy for children and adults alike. The score itself just blends so well into the story that is unfolding.
What Women Want:
The smoothness of Alan Silvestri’s score matches perfectly to songs that accompany the story as well such as Frank Sinatra’s ‘I Won’t Dance’ and ‘Night and Dy’, once again with a jazz vibe that matches the charisma of the central character that the film centres on.