The world famous circus returns to London, but what have critics had to say about it?
The Guardian: *** “There are (formerly) Olympic-level gymnasts here. With this company you get some of the most skilled performers in the industry – check out Stephanie Waltman, clinging coolly to the hanging pole by what looks like just her toes. It is artful and accessible entertainment, always impressive. It’s just a shame the funeral setup is merely a framing device rather than a source of dramatic oomph.”
Lost in Theatreland: **** “Despite its comedic missteps, Corteo remains a stunning display of creativity and talent. The way it transforms the Royal Albert Hall into a theatrical wonderland is truly remarkable, and the acrobatics are as thrilling as they are flawless. For those seeking an escape from the ordinary, Corteo delivers a celebration of life, joy, and the extraordinary heights of human physical achievement.”
The Upcoming: **** “This is very much a family-friendly affair. While ardent followers familiar with Cirque du Soleil might argue it doesn’t surpass the benchmark they have previously set for themselves, those new to the experience will undoubtedly be transfixed by the remarkable talent on offer.”
London Theatre 1: **** “Corteo soars in more intimate moments that the creatives have set up. A clowness floats under helium balloons, guided by the gentle push of audience members in the stalls and balconies. A quintet of Cyr wheels spin staggeringly close to one another. Gymnasts loop-the-loop and dash past one another on bars, or toss lighter cast members between them from parapets. I am charmed by a jellyfish-like ‘marionette’, walking on air with the aid of clever counterweights.”
WhatsOnStage: *** “As ever with Cirque at the Hall, the visuals of it all – shout out to set designer Jean Rabasse and costume designer Dominique Lemieux – are spectacular, and the way the company so utterly transforms the space, particularly in this instance, is genuinely jaw-dropping. But the content and the concept both feel underwhelming, particularly considering that the moment that should be considered its centrepiece feels compromised.”
London Theatre.co.uk: **** “Corteo features an interesting, European-inflected soundtrack with Spanish guitar, Italian folk songs and Eastern European Klezmer. The show also looks gorgeous, with influences from traditional Italian Commedia dell’arte with Pierrot, rich fabrics and traditional harlequin costumes by Dominique Lemieux.”
The Reviews Hub: **** “Corteo may not be the company’s most daring or cohesive production, but it remains a spectacular spectacle and a fun family outing for all.”
Time Out: *** “Still, if you’re here for setpieces, Corteo delivers – there is some astounding aerial work, some cool bouncing around on big beds, some amazing hoop stuff, and it’s all enhanced by a traverse staging that makes the Royal Albert Hall feel reasonably intimate.”
Jonathan Baz Reviews: **** “At a time when the world can in so many ways feel divided, it is a pleasure to witness the 58 strong group of performers and musicians from across the globe come together to form this insanely talented company. While Corteo could do with some tightening up in places, as a spectacle it’s flawless and an opportunity to see some of the best in the world soaring to dizzy new heights!”
The show continues to play at the Royal Albert Hall until the 2nd March 2025. To book tickets click here.